• About
  • Dasan Ahanu
  • Past Laureates
  • Blog
  • Events
  • Resources
  • Contact Us

Piedmont Laureate

~ Promoting awareness and heightened appreciation for excellence in the literary arts throughout the Piedmont Region

Piedmont Laureate

Tag Archives: Writer’s Block

If Lady Gaga’s boyfriend’s ex-girlfriend can do it, then we can too

28 Friday Feb 2020

Posted by Tamara in comparison

≈ 2 Comments

Tags

comparison, Tamara Kissane, Writer's Block, Writer's journey

  • How often do you compare yourself to other writers?
  • How do you compare yourself to other writers?
  • Afterwards, how do you feel? Inspired or deflated? Encouraged or shut down?

This is how I feel when I start sliding down the comparison chute:

It’s almost impossible to avoid these days, right? (The comparison chute, not the luge.)

Even without the luge-like experience of scrolling through social media which can leave me cold and potentially broken on my worst days or winded and manic on my best days…even when I disconnect entirely, my day-to-day conversations are primed to invite ranking and stacking myself against others. “How’s so-and-so doing?” “Oh, I heard that so-and-so is blah blah blah.” “Whatever happened to so-and-so?” “Did you hear about so-and-so?” “What did you do today?”

That reflexive action bubbles up to measure myself against other people’s circumstances. “I don’t want to be that.” “I wish I could do that.” “I will never.…”

Friends, raise your hands if you know this is toxic. (Ok, raise your hand right now because I am telling you This. Is. Toxic.) Raise your hands if you do this sometimes.

Right. Well, that way madness lies. That way is a massive writing roadblock. That way squelches our unique voices.

To be plain, if we want to do some primo writing and lessen the suffering that accompanies it (there’s always pain, but perhaps we don’t have suffer so much?), then in my opinion, we have two options:

  1. Never compare.
  2. Use others as inspiration and encouragement.

Option number 2 works best for me. Which one works for you?

There’s a fun article in the New York Times Opinion section written by Lindsay Crouse titled My Ex-Boyfriend’s New Girlfriend Is Lady Gaga. The story is pretty self-explanatory, but the twist is that Lindsay Crouse uses this discovery as an opportunity to lift herself up. Yes!

Lady Gaga is amazing. Comparing yourself with her is incredibly motivational, and I recommend you try it, regardless of how you relate to who’s dating her.

At least, that’s what I did.

I like Lady Gaga just fine, but I actually find my comparison-turned-inspiration closer to home. I’m inspired by the artists and friends who surround me and with whom I have long and deep relationships or short and meaningful ones. Reading Crouse’s positively framed opinion piece brought to mind a conversation that turned into a blog post written in 2017. You’ll see it below. I was excited to dust it off and remind myself that time is best spent in high-frequency mode.

How about you? (And, let me know if this is useful.)

*******

High-Frequency Comparison is Part II of a blogversation on the Artist Soapbox website about comparing ourselves to other artists. Read Part I, by Mara Thomas first. (Part I and Part II were originally posted in November 2017.)
**
Over churros at Cocoa Cinnamon, Mara and I spent some time talking about what she termed “low-frequency comparison.”  Low-frequency comparison is the kind of comparison you use to make yourself feel bad – a self-flagellating tool. “High-frequency comparison” on the other hand is the kind of comparison you use to encourage yourself – an inspirational tool. Low-frequency’s easy to slide into. It’s familiar, simple and doesn’t require us to make any changes in behavior or thought patterns. Low-frequency comparison allows more of the same…and more of the same is easier, the path of least resistance.

 

So, if comparison sling-shots you directly into low-frequency territory, then I totally agree with Mara, just don’t go there. Don’t do that to yourself. Stop comparing immediately. If you consistently race towards low-frequency, that’s a signal to investigate your own awesomeness for awhile and learn to embrace your self-worth. That’s a signal that you need to fill up your self-love bucket. Do that, please. Focus on reframing your vision of yourself because that internal re-tooling will pay you dividends over and over. You have worth. You deserve to believe that.

 

If however, you’re feeling pretty solid about your value as a human and artist, and if you’d like to make positive changes, then open yourself to some high-frequency comparison. Look around at people you admire (you don’t need to start with the superstars, there are likely fabulous peeps right in your local orbit) and see what those you admire are doing. Is anyone living a life closer to the one you want to live? Is anyone making art that’s closer to the art you want to make? Is there anyone you can use as an example or model for whatever changes you want to make?

 

Re-orientating to high-frequency comparison has helped me enormously and in significant ways. It’s my go-to fixit. I think, “What would this person do right now? How would that person solve this problem/approach this mess/respond/decide/etc? What would the person-I-admire say right now?” And the ideas start flowing because people are doing MANY THINGS better than I am — good for them! —  and their examples teach me, inspire me, encourage me to try.

 

Ultimately, I’m still me being me, and I’ll do it my way, but I feel like I have more fuel in the tank. Because to be honest, in several areas of my life, I’ve run out of ideas. Over the last few decades, I solved problems ‘my own way’ and that didn’t work or the outcome was subpar. I have blindspots and tangles that I can’t work out. I’m ready for new ways of doing and being and I’m surrounded by inspirational people who are doing and being those things. It’s thrilling to see others thriving, living with integrity and purpose, aligning their inner compass and their outward actions, eating vegetables, and quitting nasty habits like biting their nails. I want to do that too.

 

Although low-frequency comparison flickers on the edge of my perception more frequently than I’d like, I have many wonderful high-frequency days when I compare myself to the Patti Smiths of the world and think, “Wow, I’m gonna infuse my life with a little of her creative bad-assery…..so…WWPD (what would Patti do)?”

 

What do you think? What would you do?

How to Break through Your Writer’s Block

13 Wednesday Sep 2017

Posted by Mimi Herman in Mimi Herman, Poetry, Writing Advice

≈ 2 Comments

Tags

Writer's Block

Locked-Phong6698-flickr-creative commons

Getting Rid of Your Internal Critic

So you’ve got this voice in your head. The voice says, “You’re stupid. Nobody wants to read anything you write. You can’t write. You have nothing to say, and even if you think you do, you’ll say it badly. Plus you’re fat and your breath stinks.”

Sound familiar?

Relax. Most of us have a voice like this. I call it The Critic. It’s uncanny how these voices know how to say exactly the right thing to make us so hopelessly miserable that we don’t even want to attempt anything because, of course, we’ll fail.

Here’s what I want you to do:

Imagine that you’re walking down a long hall with your critic. Really picture your critic, who may look a lot like someone from your life or may be some monster fabricated out of spare parts from your subconscious. See your critic. Smell your critic. Hear your critic’s footsteps in the hallway.

As you walk, distract your critic.Find something innocuous to discuss. Talk naturally—or as naturally as you can. Try not to get overwhelmed by the disturbing smell of your critic or the clomp of footsteps.

At the end of the hall is a big door.

Open the door, push your critic inside, slam the door and lock it. Bolt it. Take that big metal bar from the floor next to the wall and slide it into the slots on the door.

Now that your critic is locked away, you can do one of several things:

  • Walk away and leave the critic there. Let someone else be in charge of the feeding and exercising of your critic. It’s not your job.
  • Slide a one-way ticket to a Greek island under the door. Perhaps your critic just needs to spend some time in a relaxing environment to get over being so cranky and mean. Have the customs inspector check for cell phones and computers before letting the critic out of airport. Your critic should have no way to reach you. Change your phone number, if you must.
  • Create a comfortable room for your critic, with all the things that will make her or him feel appreciated and cared for. Clearly your critic is acting out of some deep childhood insecurity and needs a more nurturing environment to recover.
  • Write a letter to your critic, detailing all the ways your critic is wrong about you.
  • Leave your critic locked up until she or he agrees to be helpful, and then only on second or third drafts. A first draft is hard enough to create, without someone looming over your shoulder, telling you everything you write is dreck. In later drafts, your critic can say things like, “That looks really good. Do you mind if I make a few suggestions?” or “Great work. I could check it for typos, if you like.”
  • Decide that the critic came into your life in the first place to help you. Figure out what the critic was supposed to do, and whether you need that help any more. If not, thank the critic graciously and walk away. If your critic’s help is still useful, write down all the things you’d like the critic to do in a job description. In your own job description, write down all the things you’re going to take care of yourself.

So now that you’ve taken care of your critic, it should be easy enough to write, right?

Wrong.

Vintage Memo Notebook-Calsidyrose-flickr-creative commons

If you’re like most of us, you suffer from the Blank Page Disease.

There’s a blank page sitting in front of you. A number of people—loggers, papermakers, stationers—worked overtime to get that page to you. And you have absolutely no idea what to do with it. If you write on a computer, it’s even worse. Do you know how many people it took to build your computer and get it to you? And how hard they had to work? Go ahead, feel guilty.

You done yet? Good. Then let’s begin.

So here’s what you do. Just start writing. Whatever enters your head, let it flow down your neck, over your shoulder, through your arm, into your hand, and down onto the paper or keyboard. If you really have gut-stabbing doubts about your ability to write anything of value, you have a couple of choices: find a really good therapist and work on your self-esteem, or use recycled paper for your first drafts. If you’re using a computer, let your monitor get dusty so you don’t feel like the words have to be so sharp and precise. Do not, I repeat, do not take this time to clean your screen. Or worse yet, to go to the nearest office supply store and purchase that special stuff intended only for the polishing of computer monitors. We’ll discuss creative procrastination later.

Hey, wait a minute. I’m doing all this talking and you’re doing all this listening. Enough already. Start writing.

 

Credits:
“Locked,” Phong6698, flicker, Creative Commons, 2016
“Vintage Memo Notebook,” Calsidyrose, flicker, Creative Commons, 2009

 

About our laureates

  • Dasan Ahanu
  • Dasan’s Blog
  • Past Laureates

Join Us on Facebook

Join Us on Facebook

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 160 other subscribers

Follow on Twitter

My Tweets

Piedmont Laureate Sponsors

Raleigh Artsuac-logo

Search

Website Powered by WordPress.com.

  • Follow Following
    • Piedmont Laureate
    • Join 160 other followers
    • Already have a WordPress.com account? Log in now.
    • Piedmont Laureate
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...