About dasanahanu
Christopher Massenburg, better known as Dasan Ahanu, is a public speaker, organizer, workshop facilitator, poet, spoken word performer, educator, songwriter, writer, emcee, and loyal Hip Hop head born and raised in Raleigh, North Carolina. In addition to performing, Dasan has hosted many poetry, jazz, Hip Hop, and cultural arts events across the state. He is one of the founders of Black Poetry Theatre (BPT) where he has been a writer, director, producer, and cast member for their productions. As an active participant in poetry slam, Dasan has competed regionally and nationally as a founding member and coach of Durham, NC’s own Bull City Slam Team. In 2010 and 2014, Ahanu led the Bull City Slam Team in winning the Southern Fried Southeastern Regional Poetry Slam, the largest regional poetry slam in the country. He also led the team to a 3rd place finish at the 2010 National Poetry Slam and a 2nd place finish in Group Piece Finals at the 2012 National Poetry Slam.
Believing that “with great talent comes great responsibility”, Dasan has also used his skill and resources to aid in developing the community and further social change. He has worked as an organizer on such issues as war, social injustice, workers rights, domestic violence and sexual assault; planned and facilitated community programs for Duke University's Center for Documentary Studies; conducted creative writing and performance workshops at middle schools, high schools, and colleges throughout North Carolina; and spent time working with at-risk/court-involved youth. Dasan has been a speaker or workshop facilitator at a number of notable conferences and symposiums. In addition to advocating for further support of poetry and spoken word programming, he has spoken on topics such as the impact of cultural arts programming, the arts and social justice, Hip Hop culture, Hip Hop pedagogy, and the arts as a tool for literacy. As a resident artist with the St, Joseph’s Historic Foundation/Hayti Heritage Center in Durham, NC he has developed poetry and spoken word programming for youth and adults and worked to grow the Triangle’s arts community. In 2004 he was awarded an Indy Arts Award by Independent Weekly Magazine for his work in arts and activism.
Dasan has created his own series of shows and collaborated with local promoters to provide some of the best arts and music events in NC. His work has been featured on National Public Radio (NPR) where he has been noted for his appearances on “News and Notes with Ed Gordon” and “State of Things with Frank Stacio.” His writing has been featured in online and print publications. He has been showcased on NBC 17 in for his work with poetry slam. He is featured on the third season of Lexus Verses and Flow aired on TV One. He was featured in a documentary entitled, “Poet Son” that aired on WUNC-TV as a part of the North Carolina Visions film series. In 2007 he signed with NC independent record label Amp Truth Records and teamed with up and coming music producer Picasso to form The Jim Crow Jackson Experiment. Their self-titled debut album was an amazing blend of spoken word, rap, soul, reggae, and blues. The album showcased both artists’ unique talents and was released both domestically and internationally. As a songwriter and recording artist, Dasan continues to record and release music with notable emcees, vocalists, and musicians from NC and along the east coast. Dasan has released two full-length books of poetry entitled The Innovator and Freedom Papers and toured with his last two spoken word CDs The Darkest Eye and Catharsis.
While an Assistant Professor of English at Saint Augustine’s University in Raleigh, NC, Dasan developed workshops and programming for the English Department while also editing the campus literary magazine Inside Out. He has also developed new curriculum for the English Department, Liberal Studies Department, and Honors Program. He has been active in student development as a member of the Freshman Writing Initiative, a grant supported initiative established to foster student success and nurture student writing and critical thinking. He has organized colloquiums, speaker series, and conferences. His academic work is focused on critical writing, creative writing, and popular culture.
Dasan serves as president of the Black Jedi Chapter of the Universal Zulu Nation, a global community organization that also fosters greater cultural awareness of Hip Hop. He is currently a 2015-2016 Nasir Jones Fellow with the Hip Hop Archive at Harvard University’s Hutchins Center for African & African American Research.
Piedmont Laureate 
Here, you have shown us a characteristic of Southerners with respect to Northerners: we listen to others expound and show themselves, those immigrants to our homeland. We sometimes just watch while they fumble with navigating our territory, letting them find their way, stumble around. If they arrive with arrogance and “city ways”. Rushing vs. letting life take its more meandering path. Perhaps this is due to our slower speech; we get interrupted by fast talkers who don’t realize we haven’t finished what we have to say. Other times we’re the epitome of our intrinsic Southern Hospitality. It’s also a male/female difference. Being a minority as a female in the sciences, I’d get the guys to talk and show off what they knew by asking a question; then I’d make up my mind whether I agreed with them, my way of learning a new job, in unfamiliar territory. Braggadocio is not a Southern or female trait, unless we’re around our own people, but still, it’s rather rare. (This observation came from Rita Mae Brown, regarding Southern/Northern traits. My interpretation.)
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